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7 document(en) met "LOVE YOU BUT I'VE"



Nr. 3, Juni 1983 • Jan Fabre: Het is theater zoals te...
Elle me baise sur la joue Elle me baise sur la joue Yon can't buy love, she said You can't buy love, she said You can't buy love, she said You can't buy love, she said You can't buy love, she said...voor mij Maar waar nog een plaats was voor mij Maar waar nog een plaats was voor mij Maar waar nog een plaats was voor mij But even there I couldn't find her But even there I couldn't find her But even...there I couldn't find her But even there I couldn't find her But even there I couldn't find her Tekst Danny : Ik hou het hier niet langer meer uit Ik hou het hier niet langer meer uit Ik hou het hier

Nr. 13, April 1986 • Johan Callens • Sam Shepards verscheurde liefdes
Buried Child (1978), True West (1980) en Fool for Love (1983). Hij nam ook contact op met oude vrienden zoals Chaikin, met wie hij samenwerkte in het meer experimentele Tongues (1978), Savage/Love (1979) en...Just got split in two, that's all" (Drama-tists Play Service, New York, 1983, p. 32). Het betekenisvolle woord werd eerder al gebruikt door May: "Fifteen years I've been a yo-yo for you. I've never...ve never been two ways about you. I've either loved you or not loved you" (p.25). Dit keer vertaalt Thijs: "Ik ben nooit onduidelijk geweest" en weg is het echo-effect dat toch belangrijk is voor een

Nr. 58, December 1996 • Herman Asselberghs • Theatrical Correctness
first you may not have known any better, but over the last two years I've informed you of many things...But everywhere I go with money, they let me in. Everywhere I go with none, they don't let you in. Trust me...But Shakur was also a man willing to own up to and examine his many contradictory inclinations, and I suspect that quality, more than any other, is what made him such a vital and empathetic voice

Nr. 88, September 2003 • Annie Declerck • In memoriam Joseph Chaikin (1935-2003)
Joe seems a mildly spoken guerrilla fighter, using theatre to unmask the lies with which we've grown up in the '40s and '50s...say to him excitedly, "Your work is wonderful but how do you make your acting exercises into plays...Joe's sweet face lights up: "I've been waiting for someone to come along and ask me that question

Nr. 94, December 2004 • Elke Van Campenhout • Salzburg lied to us
count your breath, forget the pain, shake vigorously, rehearse love, make the first move, rewind the tape, don't pause, act...broadcast your failures, entertain your vanity, you are lucky, you've always been lucky, improvise the past, open the window, stand on a chair, become someone else, share your provisions, embrace...So the agents tried to sing a Fado but failed, tried to dance Sirtaki - and failed

Nr. 100, Februari 2006 • Jacob Wren • Families are formed through copulation / Families...
she will grow up and slowly grow away from us but this will be made easier by the fact that from the very beginning we let her breathe, we didn’t smother her in our own fears and neurosis but rather...pure and vitriolic strain of nihilism, but since she is here tonight I just want to say that I love you anyway...haven’t really spoken for the past ten years or so and I realize things are difficult, things are more than a little bit strained between us, but you can’t help but love your children and I love

Nr. 103, September 2006 • (Advertentie) • (Advertentie)
PROGRAMMA - EEN AVOND MET TAREK HALABY - ANIMAL FARM / STEPHEN WILKS - I LOVE YOU BUT I'VE CHOSEN DARKNESS - TENTOONSTELLING MAARTEN VANVOLSEM - OOST-EUROPESE FILMS - UW