Archief Etcetera

22 document(en) met "Who's he" • Resultaten 1 tot 20 worden getoond • Toon volgende resultaten

Nr. 32, December 1990 • Gerardjan Rijnders • Rijnders, Gerardjan
MASSAMOORDENAAR Who's he ? WEDUWE Hij is zij...He could be a rapist...She fears him because he is a man

Nr. 33, Maart 1991 • Dirk Verstockt, An-Marie Lambrechts, Johan Thielemans, Erwin... • KRONIEK
Na het legendarische Radeis-tijdperk (1977- 1984), na Usurpation (1985) en Ward Comblez, he do the life in different voices (1989) kan hij nu Het Kind Van de Smid aan het markante rijtje van eigen...didn't help that he had posed nude in the magazine Vanity Fair...But his worst mistake may have been to publicly lambaste his predecessor, Maurice Béjart, a cultural icon who directed dance at the Monnaie for 27 years, as 'bombastic, vulgar and megalomaniac

Nr. 39, December 1992 • Hugo Durieux • De tragedie van het luisteren
Mao: Now Doctor Kissinger-; Kissinger: Who me ?; Mao: Has made his reputation in Foreign affairs; ... Nixon: He's a consummate diplomat...Girls think he's lukewarm when he's hot; Mao: You also dally with your girls ?; Nixon: His girls, not mine; Kissinger: He never tells; Chou: And this is an election year

Nr. 46, Januari 1994 • Herman Asselberghs • Dar A Luz' Tight Right White
He had been summoned back to Los Angeles by the police to be questioned as a possible suspect in the murder...Simpson hurried to the Chicago airport on the morning of June 13, he paused to sign an autograph...Now, who will be the witness when you're all too blind to see

Nr. 54, Februari 1996 • Loek Zonneveld • In memoriam Michael Carlton Matthews 1958-1996
Tot zijn eigen theaterwerk horen titels als For People Who Have Died (1989) en This Sporting Life (1991). De afgelopen jaren werkte Matthews aan twee trilogieën...16 januari 1996 leest Robert Wilson voor uit Gertrude Steins He was being living every day

Nr. 58, December 1996 • Herman Asselberghs • Theatrical Correctness
George schrijft over zijn broer: 'He was free for a while...same doomed mentality in another track - and you never doubted that he felt and meant every word he declaimed...One wants to live in peace and the other won't die unless he's free

Nr. 82, Juni 2002 • Gert Verschraegen • De wereldmedia en de grenzen van het...
mass man is not the vulgar or the stupid or the unthinking man, but anybody and everybody who experiences the electric situation of instant information...Having had his private individuality erased anonymously, he is paranoiac and much inclined to violence, for violence is a quest for identity, seeking to discover ‘Who am I?’ and ‘What are my limits

Nr. 83, Januari 2002 • Marianne Van Kerkhoven • Werkverslag. Hoofdstuk I: Nuanceren: Over het innemen...
kleine productie', geproduceerd door Het Net (Brugge) en het Kaaitheater (Brussel). The Woman Who Walked into Doors is de eerste opera van jazzcomponist Kris Defoort; samen met regisseur Guy Cassiers...etcetera 83 OOO 11 The Woman Who Walked into Doors guycassiers en kris defoort/ro theater en het muziek loo foto herman sorgeloos Om dezelfde...het werkproces van The Woman Who Walked into Doors was van bij aanvang een discrepantie aanwezig tussen Kris Defoorts 'lezing'van het hoofdpersonage Paula Spencer en die van Guy Cassiers: daar waar

Nr. 88, September 2003 • Erwin Jans • De Drama's van 11 september: Opgedragen aan...
Ze begint zich af te vragen wie de vijand is en waar het eigenlijke slagveld zich bevindt: 'So I must spy on the few young people in the world who are serious about the future of humanity...Hij ziet hoe een brandweerman 's ochtends afscheid neemt van zijn vrouw ('Before he hits the street he strokes her hair...'), hoe tienduizenden in de metro stappen, hoe een ruitenwasser 'wiped

Nr. 91, April 2004 • Tom Janssens • Claustrofobische allures van een merknaam: Robert Wilsons...
understood what he wrote...am the kind of artist who does not want to pretend to understand what he is doing because I think that is a lie

Nr. 93, Januari 2004 • Elke Van Campenhout • De autobiografie en de kunst van het...
He sees the bowls of milk he used to drink as a child for breakfast with his family, gathered in the summer morning...Inside, he feels sad and weary, nostalgic for his usual practice at this time of day: dancing the mambo in the boat he just got the license for. Suddenly, he closes his eyes as a happy memory...He fantasizes about the bowls of milk he used to drink as a child for breakfast with his family, gathered in the summer morning

Nr. 93, Januari 2004 • Myriam Van Imschoot • He says space, she thinks time
SHE IS SEXY, HE IS SEXUAL SHE HOLDS THE TORCH, HE IS DRAWN TO PEOPLE WHO SHINE...HE SAYS 'IT'S JUST A BIT FLOODED IN THERE'. HE SAYS'ITWASSUPPOSEDTO WORK OUT'. HE ASKS 'WHAT KIND OF PROMISE WAS THAT'? HE FEELS 'IT DOES NOT MAKE SENSE'. HE SAYS HE KNOWS HIS RIGHTS...HE SAYS HE IS GONNA CALL HIS LAWYER

Nr. 94, December 2004 • Elke Van Campenhout • Salzburg lied to us
Confronted with the dog-performer Bemd, who only barked in answer to their questions, the police put the following progression of questions to Lilia, the accompanying secretary of the Minister...what they understood, they depicted that he expressed quite some aggression against the city, the horses, and the tourists here...guy tried to fuck a girl on one of the souvenir stands, he laughed

Nr. 95, Februari 2005 • Elke Van Campenhout, Bojana Cvejić • The Mapping
spectator needs time and circumstances to allow him/herself to be confronted with the way (s)he's looking at the performance...Christine Peters) '1 am interested in "committed" art -especially in the artists who are searching interdisci-plinarily, asking and guestioning in an honest and unpretentious way...him/herself to be confronted with the way (s)he's looking at the performance

Nr. 96, April 2005 • Kurt Vanhoutte • Lexicon van de technocultuur
sexual energy that mediates the sexuality of those who have died with an intensity impossible in any other form...extension of himself by mirror numbed his perceptions until he became a servomechanism of his own extended or repeated image...He was numb

Nr. 100, Februari 2006 • Jacob Wren • Families are formed through copulation / Families...
he’s driving he’s talking to us and I guess there’s something a bit threatening about him because as he’s driving I’m getting really scared...He pulls over to the side of the road so I think everything’s going to be all right but then suddenly he whips around in his seat and places one of his big hands on each of our faces and says he...He never expected a reply but he got a reply and he forgave them and there are so many things in the world which I am unable to forgive but with my parents and with my daughter I always try

Nr. 101, April 2006 • An van Dienderen • Afkicken van representatie
understood that the head of the expedition, if he is pleased, will present her with the desired gift...Written About (who are nowadays, as mentioned, not infrequently the same people in a different frame of mind) is the fans et origo of whatever power anthropology has to convince anyone of anything

Nr. 103, September 2006 • Stef Lernous • Raffael Pascoe: auteurschap in de pornocinematografie
Tawnee: ‘Who’s your bitch, muddafucka...exactly the sort of thing our audience demands and who are we to deny the consumers’ needs...’ ////////////////////// SCèNE 6 ////////////////////// Footage van een korte Channel...After all we’re smutt peddlers and pimps... the models are whores who take money to be fucked

Nr. 103, September 2006 • Shelly Silver • Shelly Silver
He is the first one who answers...He says he has something to tell me, but he can’t tell me yet. –––––– He writes: Meet me at the northwest corner of Worth and Church Street at 10:25 pm...He writes: You have to trust me, if you’re expecting me to trust you, a strange 46 year old woman met on the Internet, who won’t even tell me her goddamn name, let alone her phone number

Nr. 104, December 2006 • Jan Ritsema • Portret van een dooie kip als kunstenaar
PerformingArtsForum)* is zo’n idee Iemand schreef daarover: The impossible impossible perfomance He staged a building, some kind of historical site he invited his colleagues and friends to stage...desperately wanted this this reconfiguration We need it he screamed We have to rethink the positions the undoing of a performance he used to call it this unsplit of audience and stage but...my work this undoing of the stage this undoing of the audience space the unification, he said and he started to shout: el pueblo unido....... this, he said is a political performance a change