Archief Etcetera

88 document(en) met "How" • Resultaten 61 tot 80 worden getoond • Toon volgende resultaten

Nr. 95, Februari 2005 • HOW HEAVY ARE MY THOUGHTS: IVANA MÜLLER...
HOW HEAVY ARE MY THOUGHTS: IVANA MÜLLER VERDRINKT IN ONDERZOEK...voorstelling How heavy are my thoughts...How heavy are my thoughts is een fictionalisering van zo'n onderzoek, waarin Ivana Müller wil achterhalen hoe zwaar haar gedachten eigenlijk zijn

Nr. 95, Februari 2005 • Jeroen Versteele • Stotteren, springen en wegvluchten van 'zelfschrijving'
Vertaling Jeroen Versteele Deze tekst vermeldt, citeert of gaat in dialoog met: How to Do Things with Words (J.L.Austin, Oxford: 1962), 'Performative Writing' (Della Pollock, in The Ends

Nr. 95, Februari 2005 • Elke Van Campenhout • De critica als cloaca
De critica als cloaca How can cultural critique become effective again today

Nr. 95, Februari 2005 • De redactie • Etcetera = ...: Intentieverklaring van de nieuwe...
must shatter the balance of consent, by flooding daylight on exactly what a society consents to, how it tolerates the intolerable

Nr. 95, Februari 2005 • (inhoud)
45 47 Tristesse op de weegschaal Jeroen Versteele over de performance How heavy are my thoughts van Ivana Muller Op de rand van de wereld Elke Van Campenhout

Nr. 95, Februari 2005 • (colofon)
Rotterdamse Schouwburg/V_2 Philoctetes Crew / Crew vzw How heavy are my thoughts Ivana Mtiller/Mousonturm Frankfurt en Theater Gasthuis Amsterdam as if (it was beautiful) Thomas Plischke + Kattrin Deufert

Nr. 96, April 2005 • Bruno Pocheron • Reactive(s)
given "right" to tell another to "wink-out". Consistencies interested in annihilation should be graciously encouraged to go first to show how it is done: to make an example of themselves by "winking" out

Nr. 96, April 2005 • Jeroen Peeters • Buiten/binnen: Berichten uit de studio
welke betekenisruimten het opentrekt.1 La Ribot 'How outside the writer's language is in relation to the event; how lacking in that which would turn inside, make the thing flow and burn...How utterly significant, unique and unforgettable is the event...How lost it is now

Nr. 96, April 2005 • Erwin Jans • De speler weggecijferd: Acteren in een tijdperk...
Guy gaat daar ontzettend ver in, met veel technische know how

Nr. 99, December 2005 • (inhoud)
Dirk De Corte - 'Kunst/Werk', Elke Van Campenhout - 'Theorie van de dérive', franse versie, Guy-Ernest Debord - 'Hoe word ik een indringer', engelse versie, 'How to become

Nr. 99, December 2005 • Bojana Kunst • Samenwerken en ruimtelijkheid
Tentoonstelling: Collective Creativity, samengesteld door: What, How & for Whom / WHW (Ana Devic, Natasa Ilic, Sabina Sabolovic, Ivet Curlin), Kunsthalle Fridericianum, Kassei, 1.5.2005-17.7.2005

Nr. 99, December 2005 • Martin Nachbar • Hoe word ik een indringer, of: hoe...
How much

Nr. 99, December 2005 • Ive Stevenheydens • Venetië versus Istanbul, wie heeft de grootste?
Secondly, consideration for how the Biennale of the new millennium can renew its role, taking on the increasingly numerous and qualified competition, both at home and abroad

Nr. 100, Februari 2006 • Jacob Wren • Families are formed through copulation / Families...
Listening to what others were saying and trying to comprehend how they could possibly imagine their petty concerns had any relevance, meant anything to anyone other then themselves...one hand we have a perfectly normal day like today and on the other hand we have my children and their children and their children’s children on and on forever and ever until the sun burns out and how...first you think it’s just a phase she’s going through but it turns out it’s not. The things she likes most to talk about revolt me, turn my stomach, I often wonder how she managed to acquire such

Nr. 101, April 2006 • An van Dienderen • Afkicken van representatie
PRETENTIE NUMMER 2 'There is ethnographic ventriloquism: the claim to speak not just about another form of life but to speak from within it; to represent a depiction of how things look...Ethiopian (woman poet's) point of view" as itself an Ethiopian (woman poet's) depiction of how they look from such a view...Winston 1996: 118) 4 'The challenge is to trace both how and why media messages go awry and yet also how they shape lives, treating audiences neither as resistant helves to be celebrated nor

Nr. 103, September 2006 • Stef Lernous • Raffael Pascoe: auteurschap in de pornocinematografie
Reporter: ‘How many times have you seen this film...Acteurs zingen het derde lied van de eerste acte: ‘How Undecent to Procreate’. Ricardo: ‘I’ll tell you of these things about which I often pontificate about subjects that make men

Nr. 103, September 2006 • Shelly Silver • Shelly Silver
sorry, this is all I can show you. How was he able to capture this liquid moment, now frozen

Nr. 103, September 2006 • Daniëlle de Regt • Pornolexicon
Ze straalde in iets meer dan 100 films, maar de echte financiële klapper kwam met de publicatie van haar autobiografie How to Make Love Like a Porn Star: A Cautionary Tale (2004). Al zeven jaar heeft...vermoeden dat zij momenteel broedt op een tweede autobiografie: How to Make Money Like a Porn Star: a Revolutionary Tale...Stinkfist, Prison Sex (beide van Tool), Dirrty (Christina Aguilera), Juicebox (The Strokes), Mann gegen Mann (Rammstein), How Many Licks

Nr. 104, December 2006 • Jan Ritsema • Portret van een dooie kip als kunstenaar
initiative, yes, but no performance praiseworthy yes but not eligible for subsidies not as some kind of art in general, let alone as a performance never mind how many actors were involved how accessible...anybody it was how this dispositive called theatre had been revisited how this rusty institute called theatre had been displaced reconfigured a serious proposition to revive it emancipate it dehierarchise it but

Nr. 106, April 2007 • Sally De Kunst • Kimchi & cappuccino
How the world is coming together.3 Geboren in Togo of Zweden, gestudeerd in Cambridge of Berkely en nu een blitse carrière die je afwisselend naar Parijs, Tokio of New York voert...How the world is coming together, True Agency, Los Angeles & New York, 2004