60 document(en) met "Which" • Resultaten 41 tot 60 worden getoond • Toon volgende resultaten
Nr. 96, April 2005 • Jeroen Peeters • Buiten/binnen: Berichten uit de studio
welke betekenisruimten het opentrekt.1
La Ribot
'How outside the writer's language is in relation to the event; how lacking in that which would turn inside, make the thing flow and burn
Nr. 99, December 2005 • Fin Novembre • Journal: A l'œil nu #4 Leuven
eye of the camera, director, editor, musician, promotion people...
Although we know this, there is still the power of immersion which captivates us as soon as we enter a cinema theatre, which
Nr. 99, December 2005 • Matthias Dusesoi • Kunst is een onderneming: Een case-study: Het...
COMPARISON THAT HAPPENS WHICH I DON'T LIKE
Nr. 100, Februari 2006 • Jacob Wren • Families are formed through copulation / Families...
wanted to go to a concert in the biggest city which was near to where we lived and we couldn’t afford the bus...Today, which I have to admit was just a little bit banal, and eternity, which will probably be a little bit banal as well come to think about it. So today and eternity are both banal...He never expected a reply but he got a reply and he forgave them and there are so many things in the world which I am unable to forgive but with my parents and with my daughter I always try
Nr. 100, Februari 2006 • Elke Van Campenhout • Edito
science, but to distinguish within the sciences, or better, within the cosmopolitics, the procedures through which the scientists expect to run as much risk as their subjects
Nr. 101, April 2006 • An van Dienderen • Afkicken van representatie
Ruiz 1995: 14).
'... the criteria according to which most of the characters in today's movies behave are drawn from one particular culture (that of the USA). In this culture, it is not only...Different ways of thinking deny the direct causal connection between a decision and the conflict which may result from it; they also deny that physical or verbal collision is the only possible form of conflict...theory, not method, not even the aura of the professional chair, consequential as these last may be... The moral asymmetries across which ethnography works and the discursive complexity within which it works make
Nr. 103, September 2006 • Stef Lernous • Raffael Pascoe: auteurschap in de pornocinematografie
Acteurs zingen het derde lied van de eerste acte: ‘How Undecent to Procreate’.
Ricardo:
‘I’ll tell you of these things about which I often pontificate about subjects that make men...rare VD dislodges the womb from the body, by developing an acidic secretion by which the womb “eats” its way out through the genitourinary system
Nr. 103, September 2006 • Anne Dekerk • Porno-drama: scènes voor pornografie
several of the photographs the source of the wound was indicated by a detail of that portion of the car which had caused the injury: beside a casualty ward photograph of a bifurcated penis was
Nr. 105, Februari 2007 • Pieter T'Jonck • Mist Spuiten
fog is a dynamic phantom mass which changes form constantly... In contradiction to the tradition of Expo pavilions whose exhibitions entertain and educate, Blur erases information...immersive environment in which the world is put out of focus so that our visual dependency can be put into focus...Unlike entering a building, the experience of entering this habitable medium in which orientation is lost and time is suspended is like a suspension in ‘ether’. It is a perfect context
Nr. 107, Juni 2007 • Rudi Laermans • Het kunstwerk als performatief netwerk
terminal we view the body as a container through which signals or “presences” can travel
Nr. 108, September 2007 • Anne Dekerk • pre|cursor, over invocationele media
De rest die ons tevens achtervolgt: 'The remainder is that addition to language that comes back to haunt it, to stagger its signifier on the way to completion, to intervene with a stutter, which...whole notion of glitch is tied up to an 'auditive' thoughtform, which approaches the world as a multiplicity of processes rather than a pre-set field of objects
Nr. 108, September 2007 • Pieter Verstraete • Het exces in het luisteren. Performativiteit van...
overdeterminisme, én ‘paniek’ toelaat: ‘the shimmering of signifiers, ceaselessly restored to a listening which ceaselessly produces new ones from them without ever arresting their meaning’ (Barthes 1991: 259). Hans
Nr. 108, September 2007 • Anne Dekerk, Maarten Soete • 6 Sound Questions
Which is more musical, a truck passing by a factory or a truck passing by a music school
Nr. 108, September 2007 • (Afbeelding) • (Afbeelding)
neglecting ear culture, which is too diffuse for the categorical hierarchies of the left side of the brain, he has locked himself into a position where only linear conceptualization is acceptable
Nr. 109, December 2007 • Anne Dekerk, Elke Van Campenhout • Geen ‘als en ‘dan’ zonder ‘hier’ en...
But legends give it a form by which it pervades the whole world...But legends give it a form by which it pervades the whole world
Nr. 109, December 2007 • Jeroen Peeters • ‘Wij’ zeggen, een extreme oefening
Which transformation do we undergo as performers
Nr. 109, December 2007 • Manuela Zechner • Herinner je vandaag.
adolf hitler, Obersalzberg speech,
22 augustus 1939
As long as I breathe, I shall fight for the future, that radiant future in which man, strong and beautiful, will become master
Nr. 110, Februari 2008 • Birgit Cleppe • Maaksels versus baksels
spectator, like the Renaissance prince, provides the single eye for which the production is created
Nr. 110, Februari 2008 • Pieter De Buysser, Christophe Van Gerrewey, Bram... • Minnelijke voorwerpen
work and when I work I give things, I give signs and sometimes I produce things which... I do language things; it’s language...then it was fabulous, I could realise that she felt a great love for me, which was great because during the whole time all my boyfriends, friends, mom and dad and all people in life who love me ran through my
Nr. 112, Juni 2008 • Jeroen Peeters • Hoe zichzelf een houding geven, hoe zichzelf...
Gehmachers woorden: ‘How to negotiate between abstract gestures and gestures that kick into representation straight away, which is hard to avoid
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