Corpus Toneelkritiek Interbellum

Flemish Theatre Reviews 1919-1939

Google Book Search results for 'Filippo Marinetti' • More...

The Artist and His Politics • In this book, Ialongo focuses on Marinetti as the chief determinant of Futurist politics and explores how a seemingly revolutionary art movement, at one point having some support among revolutionary left-wing movements in Italy, could ...
Dossier Marinetti • Sota l'epígraf de Dossier Marinetti es reuneix un seguit d'investigacions al voltant de la controvertida figura del creador del futurisme, l'italià Filippo Tommaso Marinetti a través de la visió que d'ell en tingueren els catalans al ...
The Manifesto of Futurism • "The Manifesto of Futurism" written by the Italian poet Filippo Tommaso Marinetti, initiated an artistic philosophy, Futurism, that was a rejection of the past, and a celebration of speed, machinery, violence, youth and industry; it also ...
Italian/English/French/German/Arabic • Marinetti wrote the Futurist Manifesto in the autumn of 1908 and it first appeared as a preface to a volume of his poems, published in Milan in January 1909.
New Edition • " This volume includes more than seventy of Marinetti's most important writings—many of them translated into English for the first time—offering the reader a representative and still startling selection of texts concerned with Futurist ...

1923-06 Nieuwere dramatische kunst (Godfried Heynderickx)

. . . heeft z'n Dramatic Mono-Theatre te Moscow. De tweede school gaf haar manifest «The Futurist Synthetic Theatre» uit in 1915 onderteekend door Marinetti , Settimelli en Bruno Corra . Isaac Goldberg interpreteerde de futuristische beweging in een artikel, verschenen in «The Boston Transcript». . . .
. . . blows), 'simul-tanetta' (simultaneity), 'compenetration', the 'animated poem', the 'sceniefied sensation', the 'dialogued hilarity', the 'negative act', and so onward.» De vreemde stukjes van Marinetti lichten sommige dezer mysterieuse vormen eigenaardig toe. Het meest-karakteristieke hierin is wat hij noemt «simultanetta» en «compenetration». Het is de voorstelling van twee of . . .